The Brothers Network

October 31, 2011

Reading: Percival Everett

Filed under: Events — Tags: , — V. Shayne Frederick, Editor @ 1:54 pm

November 9, 7:30PM
Chase Auditorium, Haverford College

Reading by fiction writer and Distinguished Professor of English, University of Southern California, Percival Everett.

Everett is the author of 20 novels, including I Am Not Sidney Poitier, The Water Cure and erasure. He is also the author of two volumes of poetry and three story collections.

http://www.haverford.edu/calendar/details/175422

Reading: Colson Whitehead

Filed under: Events — Tags: , — V. Shayne Frederick, Editor @ 1:39 pm

A “Night of the Living Dead” with Colson Whitehead, Zone One

Monday, October 31 @ 6 PM
Montgomery Auditorium
Parkway Central Library
1901 Vine Street
Philadelphia, PA

Colson Whitehead’s multilayered second novel, John Henry Days, was a Pulitzer Prize Finalist, a National Book Critics Circle Award Finalist and a New York Times Book Review Editors’ Choice. In reviewing the novel for the New York Times, Jonathan Franzen wrote: “Again and again, you hit passages of wry and largehearted descriptive prose that are the clearest measure of Whitehead’s achievement and promise as a writer.” In his quirky and imaginative books, including his PEN/Faulkner finalist Sag Harbor, he explores history and legend, reinvention and growth, and racial and class identity. Whitehead’s newest novel, Zone One is a post-apocalyptic zombie venture that unravels in Manhattan. He will introduce a screening of Night of the Living Dead at 6:00 p.m. Costume characters welcome! Free Peanut Chews for the audience provided by JustBorn!

Free.
Contact: 215-567-4341

October 5, 2011

Book Reading: The Plot Against Hip Hop by Nelson George

Filed under: Events — Tags: , , — V. Shayne Frederick, Editor @ 11:06 am

Wednesday October 26, 7pm – fiction

Moonstone Arts Center, Robins Bookstore, 110A S. 13th Street, Phila, PA.

Nelson George author of The Plot Against Hip Hop ($15.95 Akashic Books)

 ”George is an ace at interlacing the real dramas of the world . . . the book’s slim length and flyweight depth could make it an artifact of this particular zeitgeist in American history. Playas and haters and celebrity cameos fuel a novel that is wickedly entertaining while being frozen in time.” –Kirkus Reviews

 ”This hard-boiled tale is jazzed up with authentic street slang and name-dropping (Biggie, Mary J. Blige, Lil Wayne, and Chuck D) . . . George’s tightly packaged mystery pivots on a believable conspiracy . . . and his street cred shines in his descriptions of Harlem and Brownsville’s mean streets.”–Library Journal

“The Plot Against Hip Hop is a quick-moving murder mystery that educates its audience on Hip Hop’s pioneer generation along the way . . . it is a nostalgic look at a magical and manic moment in time.” –New York Journal of Books

“Nelson George comes from an older generation that still remembers Hip Hop as the vital and dangerous voice it once was. This feeling for the past carries throughout the novel, and manages to convey the weight and importance of this profound shift in values without being nostalgic . . . The Plot Against Hip Hop is a fine piece of ‘edutainment’ — both exciting and thought provoking . . . it’s great to finally have a novel about Hip Hop written by one of it’s original documentary journalists.”–ABORT Magazine

 ”There are few people who can put the past seventy years of urban reality into the perspective of the most recent hip minute like Nelson George. The Plot Against Hip Hop is no exception. Nelson George braids actual facts and fictional characters flawlessly into a time-tunneled walk along various developments in this now-megabusiness called hip hop. For those that say they love hip hop as well as the total legacy it evolved from, it bodes well for them to keep this very close to their head, heart, and attention.”–Chuck D, Public Enemy

  THE PLOT AGAINST HIP HOP is a noir novel set in the world of hip hop culture. The stabbing murder of esteemed music critic Dwayne Robinson in a Soho office building is dismissed by the NYPD as a gang initiation. But his old friend, bodyguard/security expert D Hunter, suspects there’s much more to his death. An old cassette tape, the theft of a manuscript Robinson was working on, and some veiled threats suggest there are larger forces at work. D HUNTER’S INVESTIGATION into his mentor’s murder leads into a parallel history of hip hop, a place where renegade government agents, behind-the-scenes power brokers, and paranoid journalists know a truth that only a few hard core fans suspect. This rewrite of hip hop history mixes real-life figures including Jay-Z, Kanye West, and Russell Simmons with characters pulled from the culture’s hidden world, as the Illuminati, FBI agents, and West Coast gangstas roam the hard streets D Hunter walks down. D HUNTER IS A TOUGH, BLACK-CLAD product of crime-ridden Brownsville, Brooklyn, a man whose family has been devastated by violence and who has dedicated himself to protecting people in an age of insecurity. Hunter has his own secrets, his own vulnerabilities, which he fights to overcome as he becomes a reluctant private eye. After reading The Plot Against Hip Hop, you’ll never hear the music the same way.

 NELSON GEORGE is one of the first writers to document hip hop culture and is the author of several award-winning books on the subject, including Hip Hop America and The Death of Rhythm & Blues; he also coauthored (with Simmons) Russell Simmons’s autobiography Life and Def. He directed Queen Latifah in the HBO film Life Support, and is an executive producer of VH1′s long-running Hip Hop Honors broadcast.

June 27, 2011

August Book Discussion: “Tasting Freedom”

Filed under: Events,News — Tags: , , , , , — Sandy Smith, Editor @ 12:35 pm

We are pleased to announce that the next book in our book discussion series will be “Tasting Freedom: Octavius Catto and the Battle for Equality in Civil War America.”

The discussion will be led by the book’s authors, Pulitzer Prize winner Nicholas Biddle and Murray Dubin.

An important part of our mission is to reframe and redefine black masculinity by understanding the multiplicity of roles African American men have played over the centuries. Another is to reclaim our multiple identities by standing on the shoulders of the giants who came before us: literary lions like James Baldwin, musical trailblazers like John Coltrane, scholars and thinkers like W.E.B. DuBois and Frantz Fanon. We also believe it is important to recover the history that has been lost to memory and overshadowed by the accumulated weight of events.

This book advances all of these aims. Former Philadelphia Inquirer reporters Daniel Biddle and Murray Dubin have done a great service to all who wish to understand the true breadth and depth of the 400-year struggle African Americans have waged for full equality, citizenship and justice in America, both North and South.

Lionized in his time and mourned upon his premature death, Octavius Valentine Catto in our time has become one of the forgotten heroes of the African American civil rights movement. Catto, a Philadelphian who lived in the Civil War era, urged his fellow black men to fight for the Union cause, then afterwards, turned his attention to fighting segregation in the North. Like Martin Luther King many years later, Catto worked to open the ballot box and public transportation to blacks. He was also a trailblazer in the then new sport of baseball, with his Pythians taking on and beating the best white players in the years before the game shut the door to integration. His life was cut short on October 10, 1871, when an Irish ward heeler assassinated him amid widespread Election Day violence.

Dubin and Biddle have crafted a sweeping work that goes a long way to restoring Catto to the place he deserves in history. It is part of a larger movement to honor and recognize a true civil rights legend and martyr, and The Brothers Network is proud to join in the restoration effort.

June 9, 2011

Essay: Afrocentric Take on Manning Marable Malcolm X: A Life of Reinvention

Filed under: Article,Column — Tags: , , , , , — V. Shayne Frederick, Editor @ 2:03 pm

Afrocentric Take on Manning Marable Malcolm X: A Life of Reinvention

by Molefi Kete Asante

I wanted to make sure that I had time to fully digest Manning Marable’s “study” of Malcolm X before I commented, although I must confess that I wanted to speak immediately when I heard the praises the book was receiving from the Left and the Right. Furthermore, I knew something was amiss when the white mainstream began to push the work as a monumental analysis of the life of Malcolm X. I wondered, “When has the white mainstream press pushed works that were favorable to Nat Turner, Du Bois Marcus Garvey, Assata Shakur, Robert Mugabe, Amiri Baraka, or Maulana Karenga?” Isn’t the politics, particularly, revolutionary politics that chastises oppression, racism, sexism, and nationally sanctioned attacks on freedom fighters normally considered anathema to the white mainstream press? What could bring Marable’s Malcolm X, A Life of Reinvention, so much positive reaction? Obviously, there was something in Marable’s work that tweaked the consciousness of the white media toward this portrait of Malcolm X. I think the initial reaction of the white Left was based on the perceived tarnishing of Malcolm’s black nationalist and Pan African dimensions. No, I do not believe for one minute that the Left was looking to praise Malcolm, but to find favor in dishonoring him. The idea that someone could tarnish the image of Malcolm X was enough to make the living praise the dead. Yet for those others of us in the society who have seen, all this time, that Malcolm was our burning spear, a prince of time, nothing said about him would diminish his authenticity as a revolutionary icon.

After reading the book, actually after locating it as is the method of Afrocentricity, I determined that the flaws in Marable’s work were not simply errors of references, innuendoes, and narrow flights off into squeaky sexual matters, but rather that the writer, despite his notoriety was deeply dislocated politically. Consequently his analysis of Malcolm X was fundamentally off-center. Every space where Malcolm X could have been viewed as having taken agency was locked down, filled with unsanitary speculation, and hurriedly dismissed as being something other than the powerful assertion of African will. This is the style of the deconstructionists and post modernists who see cracks in every wall where power is amassed by blacks and who believe that to humanize a figure, especially a favored personality esteemed by blacks, one must kill the iconic image in a way that destroys it forever.

There is a lot to respect in Marable’s body of work and one should not measure his career’s success or failure by one book, a work that he may have revised had it been read by some critical readers prior to the rush to publication. My last conversation with him took place at the University of Illinois where we were both speakers for the evening on theoretical and political issues in Africology. I found that evening the same thing I found in his work on Malcolm X and that is a tremendous reliance on class formation with less and less regard for operable racism, based on long years of brainwashing, in American society. While it is impossible to show all oppression as racial the existence of racism does pose special problems for black people. Consequently, Malcolm X represents for black people the great objection to place, problem, burden, and other terms of confinement in the American prison of race.

Now it is possible to ask, “So, why must Malcolm X be murdered twice?” Perhaps because he understood, as he said, we needed him. “I am the man you want to be, I am the one you wish you were,” he once said. To deny Africans in America and elsewhere the standard bearer who carries the sword against the oppressor is to rob Africans of models who count their lives dear only if the collective wins. Here is a man who opposed in language and action the attitudes that had held us back for decades. He was the spirit of resistance and the persona of assertion.

I often tell my students that I can read the first five pages of a text and tell you precisely where the author is going. I can know the writer’s location by the language she chooses. Thus, Marable’s Malcolm defies the reinvention launched by the scholar. To say, however, that he succumbed to the temptation to woo the progressives is not exactly my reading. Marable was a journalist seeking to uncover the clay feet of an iconic figure and he found evidences in what he sees as Malcolm’s sexual exploits, the crevices in Malcolm’s attitude toward women, and Malcolm’s love-hate relationship with Elijah Muhammad. The book shook the ground where African Americans stood their Malcolm X.

But one thing is clear: we are a resilient people, toughened by adversity and inspired by possibility. We do forget our heroes and we cannot be deterred by misunderstandings, petty jealousies, and class warfare. Malcolm X remains heroic despite the post modern turn presented by Marable’s socialist orientation. I am neither socialist nor capitalist, neither Christian nor Muslim; my allegiance is only to the liberation of African spaces intellectually, politically, and culturally. Narrow and provincial arguments over religion, class, and color can only bring confusion, distrust, and insanity.

There is much to admire in Marable’s work, but it is not radical. I would never call Marable a radical although he liked being referred to as a Radical Democrat, much like my friends Cornel West and Michael Dyson, but I am not sure they are radical democrats either. Marable’s notion of radical was to be Left because he did not properly appreciate the history of African nationalism or Pan Africanism; he was essentially an African Americanist with a strong sense of racial justice. One could just as well be a white liberal and come to the same conclusions. I do not disparage this position, but it was not Malcolm’s position; it is not my position. In many ways I find Malcolm’s response to the denial of space and place for Africans in this society the most logical answer to white racial nationalism. We are stuck perhaps with the term nationalism or Black Nationalism but in the end Malcolm X sought to undo the construction of race and racism in America; this was a revolutionary objective. However, if you can only think of revolution in a class sense you will miss the fundamental role of Malcolm in our struggle. He never denied class contradictions; he responded to all oppressions concentrating primarily on racial oppression because that was the key to our historical experiences.

Malcolm X: A Life of Reinvention unfortunately becomes the work most closely identified with Manning Marable. Born in Dayton, Ohio. Marable attended Earlham and the University of Maryland and in some ways was never able to get the institutions or their training out of his mind. I am only able to say this after reading the full extent of his treatment of Malcolm X, including his ability to differentiate the significance of a white controlled and black controlled social and political groups, e.g., Nation of Islam and Socialist groups.

I always see texts in the context of struggle; I am a child of the Sixties where the purpose of struggle was always to make the world better. To us, as members of the SNCC, Us Organization, Black Panthers, and other student activists, this meant to assert ourselves in the way that Malcolm asserted himself. He was the fiery example of our best hope, our most courageous symbol, and it is out of this cauldron that we understood what to make of Cabral, Fanon, and Fannie Lou Hamer. I could care less about the sexual proclivities of Cabral, Fanon, or Fannie Lou Hamer; I am interested, keenly so, in what they experienced and were able to say to change our objective locations. We believed that it would be university students with a sense of purpose tied to activism that would become the new hope of our generation. I mention this only to suggest that when younger people came along, such as Marable, the force of the movement had been dissipated by the COINTELPRO and other system machinations and they had to discover newer ways to maintain semblance of protest and activism and they often did this by seeking to discredit those who had established the models in the Sixties. Manning Marable was a mere child when blacks were in the streets for Black Studies and consequently he did not see the true character of Malcolm X. Learning it from the books is useful but nothing takes the place of actuality.

Here is what I think Marable missed in his portrait: Malcolm X was pre-emi¬nently a cultural spokesperson, an analyst and theorist of culture, and a revolutionary cultural scientist. Thus, when he is examined within the context of his own community and within the framework of the African-American situation, he emerges as a concrete example of the cultural hero. Furthermore, Malcolm’s identity as an intellectual, not a public intellectual, and an organizer must be seen in the light of his emphasis on people in transformation. He wanted to see Africans in America transformed, changed, and perfected in resistance to oppression. He expressed this in his concept of the radically different African person seeking to create a new type of African American who was not afraid to speak up and stand up for legitimate rights. This was the key to what Harold Cruse would see as the responsibility of the mature, independent thinking African American’s response to the crisis in culture and leadership.

In my view Reinvention will only confuse those who did not see that Malcolm X radically changed the political discourse in the nation around African American rights in that he was not speaking merely a discourse of integration into the white society but rather demanding human rights as an African person. This was un-King like, unique, creative and yet so fundamentally authentic that the masses found his rhetoric compelling. Yet Malcolm was never a public intellectual in the sense that he was available to speak on every issue without participating in the resistance to oppression. His public stance was inevitably a very real demonstration of his passionate commitment to freedom. Thus, Malcolm’s oratory was comprehensive, tight, sharp, unrehearsed, from the brain of an intellectual genius who felt one with his people in that his experiences had made him understand the self hatred, docility, and self degrading activities of many Africans. He rejected the condition of servitude and expressed himself as a conscious, historical being committed to the ultimate liberation of African people by any means necessary. This was a new status, in sharp contrast to the previous approaches of negotiation, petition, and prayer. Perhaps Marable’s own location, stance, posture, was more Martin Luther King, Jr., than Malcolm X. There was always something frightening to careerists about Malcolm; he refused to sell out his people for material gain.

Malcolm taught that Africans in America had been badly educated. Most African Americans did not know their names and the names they wore were not their African names. Malcolm’s idea was that Africans had allowed the white man to dictate terms of existence. Indeed, it was impossible for Africans to express concerns for liberation except on terms that had been determined by whites. Here was an example of blacks seeking freedom from oppression but going to whites to ask them to approve the rules of discussion or even more, in some cases, to provide the rules. Malcolm rejected this procedure and advanced what became a model for Afrocentric scholars who understood the dimensions of the servility and sought to assert political, economic, cultural, and moral authority based on a clear reading of African history, past and present.

It is this tendency toward seeming like a junior brother or sister that Malcolm struggled against and demonstrated in his public and private discourses a way to articulate new visions and new agendas. It is this juncture that was so productive and generative in the launching of youth movements and passionately cultural and political institutions such as the Black Panthers and the Us Organization and new philosophies like Kawaida and Afrocentricity. Each proponent of transformation saw in Malcolm’s rhetoric and life a way to be; thus, it was his being boldness that alerted the white opposition that the reality of racism was doomed.

I am sure that Manning would have loved to have this conversation with me; he enjoyed differences of opinion, debate, and good argument, but in the end I believe that he would have to concur that while Malcolm was influenced by the Honorable Elijah Muhammad and held to the nationalist positions of the Minister of the Nation of Islam he emerged as a seminal thinker himself. The Malcolmian project, however, was never about human perfection or the idea that any human could be without blemish or sin; this is no mere Christian myth. So what is the point of Marable’s deconstruction?

I sense in the Reinvention an attempt to claim, and this is without adequate proof because we are confronted with a preponderance of uncritically assessed references, that Malcolm’s manliness and cultural nationalism were problematic given Malcolm’s own digressions. Culture has the ability to assemble behaviors, symbols, customs, motifs, moods, and icons into a single comprehensive affirming presence. It is Malcolm’s stance toward self-hatred, culturicide, and menticide that governs his political ideology. In fact, Malcolm could see that this new type of African rejected the white man’s Christian religion, the notion of inferiority, and the imitation of whites. He recognized that the real enemy of the African in America is white racism and its attendant manifestations in the society’s institutions. Malcolm explained it this way: when you are confused you can think that your friends are your enemies and your enemies are your friend.

If I could have wished for something more in Manning Marable’s book it would have been an expose of Malcolm’s political ideals. There seemed to be three overarching ideas that do not make the Reinvention but would have given the readers a much stronger idea of Malcolm’s significance. Of course, I understand that this was not Marable’s purpose. Nevertheless, Malcolm X suggested that there were three overarching political lessons that the African had to understand about America (1) American society could not be redeemed on the basis of its present institutions, (2) Whites would not agree to share power with Africans committed to social justice, and (3) Africans had to accept their Africanity as a basis for political, economic, and moral actions.

If Manning had concentrated on bringing to us the fundamental thought processes of Malcolm we would have gained immensely by this book, but alas, it is too late for Marable and a genuine study of Malcolm await to be done.

Marable was a keen observer but was probably a better observer than he was an analyst because to understand something you must have a consistent theoretical instrument as well as know what it is that you are evaluating. One could, as Marable did, take a Marxist approach to Malcolm but what is clear is that this approach in the hands of Marable was neither consistent nor did if allow him the opportunity to make good analysis of the entire Malcolmian Project. Actually one must be careful when listening to critics say that the book is highly referenced because there is always a difference between citations and analysis of the citations. To thoroughly document a book means that the writer must understand, and convey to the reader, the prejudices of the sources. For me, we have a feast of references but I am not able to see the broad outline of Marable’s argument.

What would have been useful is for Marable to advance the idea that with the Age of Malcolm a new epoch began in the conception of a national culture causing a far-reaching revolu¬tion in the traditional views held by members of African-American insti¬tutions. Malcolm was not merely the African American’s manhood, but the keeper of the ancestral flames of a proactive response to the human condition. His own life represented the rebirth of the extensive African commitments to cultural reconstruction which would be seen in the extensive philosophical contours that came after him. You cannot write a biography of Malcolm X and not appreciate the revolutionary context of his work.

Malcolm saw that the adaptation of our ideas, attitudes, language and history to the social and cultural imperatives of the African people was the first requirement for a comprehensive transformation. There could be no other interface with our historical destiny; we had to center ourselves in our African reality. However much we search out the personal idiosyncrasies of Malcolm X or the petty discussions about his personal life we will learn nothing from him without a deep appreciation of his inherent commitment to overcome the conditions imposed by the doctrine of white racial domination. Our score sheets, without this understanding will amount to naught.

What may have been difficult for Manning Marable, although he recounted the impact of Marcus Garvey on the Little family, is the fact that Malcolm, in his maturity, was in the direct chain from Delany, Blyden, Garvey, and Robeson. They were, alongside the Honorable Elijah Muhammad his intellectual progenitors. For the first time since Garvey and his express symbol of Africa as a powerful instrument in cul¬tural awakening, Malcolm’s rhetoric revived the cultural attitude. Here it came as a torrent, breaking the shackles of a genuflected people and announcing a new more aggressive approach to cultural reconstruction”. As we heard him and sat at his feet, it was inevitable that his knowledge and acceptance of duty would be reflected in numerous attempts to restructure our response to America. Thousands of urban Africans reached toward Malcolm’s vision and when it was comprehended we preached in Shangoan voices the hard reality of self determination.

I would loved to have seen a book by Manning that would have demonstrated how Malcolm brought discontent within the camp of the old order, creating by the power of his logic, schisms in the conservative body politic of African America. It is easy to understand the preeminent position of Malcolm as a cultural figure when in addition we con¬sider the intense reaction of the white American establishment to his call for black cultural nationalism. Malcolm was considered an extremist and a militant by most of the white press. Of course, the African-American press, itself often tied to the white corporate structure, was hardly better on Malcolm. In fact the Black Church which had at moments seemed interested in Martin Luther King Jr.’s Movement found Malcolm too strong for its liking.

I would have preferred to see Manning Marable appreciate the fact that Malcolm was an end to the apologia of the Negro. He became in his life a figure transformed in the actuality of his¬torical experiences, thus, to live Malcolm, is to see him as an orisha of power and purpose, a true aspect of Afrocentric culture. He is repre¬sented now by some with a string of solid black beads, an aleke of strength. Afrocentricity as an intellectual idea has the aim of fulfilling the Malcolmian project of removing African self-hatred and restoring African self confidence even in the world of intellectual production. You cannot write of Malcolm as if you are afraid that someone is looking over your shoulder.

Now here is the thing about Marable’s Reinvention. Manning seemed never to understand the nature of actual putting your career and your life on the line for the interest of oppressed people. This is what Malcolm did. While Marable may have become a member of the Democratic Socialists of America, even rising to become Vice Chairman of the organization, I am not aware of an African organization that Manning participated in as an active member. I am not making this a criterion of speaking, but it is an indication of how one postures career. Although some may criticize Marable for making his observations about the life of Malcolm from this or that political base, this has not been my objective. I simply believe that Malcolm’s biography cannot be adequately written; in fact, it is possible that no biography can be adequately written. Thus, the problem here is that so many of us had wanted a massive work that situated Malcolm in his times as a force, a presence to be reckoned with intellectually and politically, rather than the portrait of a petty thug that Marable finally gave us or them. Who is this Malcolm that Marable has portrayed?

Perhaps the answer is that he is all of us and if that is the case then we and Malcolm deserve to be seen in the light of our own time for the higher purposes that constitute our trajectory, not for the pettiness and triviality that accompany our daily lives. As you can see I have not dealt with the truth or falsehood of “he said” or “she said” when it comes to the death of Malcolm; I guarantee you, however, that someone knows the answer to whodunit and I do not believe that it is found in Marable’s book. What is found in Marable’s book is a Social Democracy portrait of Malcolm using a deconstructionist methodology. Okay, now let us have a truly Afrocentric portrait of Malcolm that elevates his discourse and demonstrates the agency of African people fighting against oppressive conditions.

.

June 8, 2011

June Book Discussion: “High on the Hog” on June 25

Filed under: Events — Tags: , , , , — Sandy Smith, Editor @ 2:14 am

WHO: Brothers Network members

WHAT: A discussion of “High on the Hog: A Culinary Journey from Africa to America” by Jessica S. Harris

WHEN: Saturday, June 25, 2011, at 2 p.m.

WHERE: Reading Terminal Market, 12th and Filbert streets, Philadelphia, PA

High on the Hog banner imageOur always stimulating book discussion series continues this month with a discussion of “High on the Hog: A Culinary Journey from Africa to America” by Jessica S. Harris.

Harris, a renowned culinary scholar and cookbook author, takes a broad historical look at the foodways of the African diaspora in America in her latest book. Combining personal and historical narrative, Harris shows how, as with music, the culinary forms we consider most distinctively American have their roots in the foods the African slaves cultivated, prepared, and carried with them in their memories. Harris’ book is a story of survival and triumph, creativity and ingenuity, and cross-cultural fertilization.

We will discuss “High on the Hog” on Saturday, June 25, at 2 p.m. at the Reading Terminal Market, 12th and Filbert streets in Philadelphia. Please RSVP to info@thebrothersnetwork.org if you plan to attend.

May 20, 2011

Book Event: Awakening Creativity

Filed under: Events — Tags: , , , — V. Shayne Frederick, Editor @ 12:23 pm

Wednesday May 25, 7pm – Non-Fiction

Lily Yeh author of

Awakening Creativity: Dandelion School Blossoms ($34.95 New Village)

Once described as the “Mother Theresa of community arts,” Lily Yeh is a Philadelphia-based visual artist by way of China and Taiwan. She has won numerous awards, including an Arts and Healing Network Award as well as a Founder’s Award from the Fleisher Organization. She has completed residencies and given keynote speeches at universities throughout the United States. Lily emigrated to the United States in the early 1960s to attend the University of Pennsylvania’s Graduate school of Fine Arts. A successful painter and professor at Philadelphia’s University of the Arts, Lily traveled to Beijing in 1989 to show her work at the Central Institute of Fine Art. There, she witnessed the tragic events of Tiananmen Square. Over the 1980s, Lily gradually realized that being an artist “is not just about making art . . . It is about delivering the vision one is given . . . and about doing the right thing without sparing oneself.” She founded The Village of Arts and Humanities in Philadelphia and continues pursuing her vision through her new organization, Barefoot Artists, which teaches residents and artists how to replicate the Village model in devastated communities around the world. Lily is most noted for transforming an urban neighborhood in North Philadelphia into an inner-city work of art. Once an empty lot, Yeh worked with the community to create an interactive park space filled with gardens and mosaics. Lily’s vision has rippled out far beyond North Philadelphia’s borders. She inspires and collaborates with prison inmates to create beauty and art, and does the same with thousands of adults and children who live in some of the world’s most broken communities. She has collaborated with residents of the Korogocho slum near Nairobi to enliven a barren churchyard with colorful murals and sculptures and traveled to Ghana, Ecuador, The Ivory Coast and the Republic of Georgia to work on similar projects. Her most recent endeavor is the Rwanda Healing Project, in which she worked with hundreds of children and families to transform their bleak village into a place of beauty and joy.

April 12, 2011

Malcolm X: A Life of Reinvention

Filed under: Article — Tags: , , , — V. Shayne Frederick, Editor @ 11:57 am
Malcolm X: A Life of Reinvention, by Manning Marable, Allen Lane, RRP£30, 608 pages

Malcolm Little, better known to Americans in the late 1950s and 1960s as Malcolm X, was a charismatic public figure. Born in 1925, he was a provocateur who graduated from waywardness and poverty in Lansing, Michigan, to drug-use and running the troubled inner-city streets of Boston and Harlem, to performing in nightclubs, to hustling, pimping and burglarising, the last of which landed him in prison in 1946. On his release six years later, he launched himself into the limelight of the racial strife that held America in its grip…

Book review here:

March 2, 2011

Book Reading: Pym

Filed under: Events — Tags: , — V. Shayne Frederick, Editor @ 12:43 pm

http://www.moonstoneartscenter.org/moonstone-arts-center-events/mat-johnson-author-of-pym-a-novel-2/

Friday, March 4, 7pm – Fiction

Mat Johnson

A comic journey into the ultimate land of whiteness by an unlikely band of African American adventurers. Recently canned professor of American literature Chris Jaynes is obsessed with The Narrative of Arthur Gordon Pym of Nantucket, Edgar Allan Poe’s strange and only novel. When he discovers the manuscript of a crude slave narrative that seems to confirm the reality of Poe’s fiction, he resolves to seek out Tsalal, the remote island of pure and utter blackness that Poe describes with horror. Jaynes imagines it to be the last untouched bastion of the African Diaspora and the key to his personal salvation. He convenes an all-black crew of six to follow Pym’s trail to the South Pole in search of adventure, natural resources to exploit, and, for Jaynes at least, the mythical world of the novel. With little but the firsthand account from which Poe derived his seafaring tale, a bag of bones, and a stash of Little Debbie snack cakes, Jaynes embarks on an epic journey under the permafrost of Antarctica, beneath the surface of American history, and behind one of literature’s great mysteries. He finds that here, there be monsters. Born and raised in Philadelphia, Mat Johnson grew up in the Germantown and Mount Airy sections of the city. His first novel, Drop, was a B&N Discover Great New Writers selection. His second novel, Hunting in Harlem, won the Hurston/Wright Legacy Award. He has written for a variety of publications, including a stint as a columnist for Time Out-NY. His latest books are The Great Negro Plot, a history of race and hysteria in Colonial New York, and Incognegro, a graphic novel (illustrated by Walter Pleece) set in the 1930s, and the newly released PYM. He teaches at University of Houston.

January 8, 2011

Book: The Black History of the White House

Filed under: Article,Column — Tags: , , , — V. Shayne Frederick, Editor @ 7:38 pm

The Brothers’ Network recommends this book:

by Clarence Lusane, Phd

Protection of the institution of slavery was the price the South demanded for joining the United States in the revolt against Britain, and the North was also “absolutely invested in the slave system,” says Dr. Clarence Lusane. Dr. Lusane’s new book, from City Lights Publishers, details George Washington’s desperate efforts to gain the return of his prized personal slaves who successfully fled the presidential residence in Philadelphia.

During the Civil War, for the first time, Frederick Douglass and others negotiated with an American president on the political status and fate of Blacks. Yet, four decades later, Booker T. Washington’s sit-down dinner with President Teddy Roosevelt resulted in such an explosion of racist anger, the next day Roosevelt formally named the presidential mansion the “White House” in order to mollify white opinion.

During FDR’s term, First Lady Eleanor Roosevelt largely eliminated segregation at the White House by firing all of the white household staff and keeping the Blacks. In the early Sixties, the political tradition of regularly hosting delegations of Blacks at the White House was established. With President Obama’s family ensconced in 1600 Pennsylvania Avenue, the Black image has been enhanced. However, “in many ways there has been less of an ability to address issues of race” under Obama, “as Black working and poor people are erased out of public policy discussion,” says Dr. Lusane.

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